In this post, you can find a collection of useful tips to translate the principle of generous citation culture into practicalities and to make all kinds of scholarly contributions equally visible and traceable.
Tagged: Open humanities
During Open Access Week 2019, the Austrian Centre for Digital Humanities (ACDH) hosted a full-day workshop on the topic of “Open Science Methods and Tools for DH Scholars”. This event provided participants with an overview of the Open Science landscape in Austria and Europe, possibilities for Open Science training and funding, Open Science tools as well as the legal framework to consider when opening up research. All presentations and slides shown at this event are of course openly available (here). In the afternoon, the ACDH team organized the Viennese manifestation of an Open Science Café, offering an opportunity for attendees to bring their questions and reflect on the open research culture as it makes sense in their respective scholarly contexts. In addition to exciting conversation and controversial discussions, this also included lots of cake, cookies, and coffee. In the following sections, moderators, facilitators, and information sources for participants of the Café, Monika Bargmann, Susanne Blumesberger, Andreas Ferus, and Martina Trognitz share their insights and experiences about the Viennese Open Café session.
Open Access Week special edition #1: interview with Dr. Samuel Moore, co-organiser of the Radical Open Access collective
This year, we are celebrating Open Access Week by introducing fair and scholar-led Open Access publishing initiatives to the DARIAH communities. In the first episode, Dr. Samuel Moore, co-organizer of the Radical Open Access collective shares his views on which flavors of Open Access works best for arts and humanities research.
In the first episode of the DARIAH Open Scholar Stars interview series, we talk to Dr. James L. Smith, Irish Research Council postdoctoral fellow in geography at Trinity College Dublin, editor and Open Access advocate about the many ways in which creativity and openness fuels his scholarship.
At the beginning of 2019, the Austrian Centre for Digital Humanities of the Austrian Academy of Sciences (ACDH) started an experiment: For the first time ever, we published the calls for participation in three virtual hackathons. The hackathons would focus on Open Data sets publicly available online, and the tasks to perform on these data would involve creating Open Source code. Each of the hackathons had a special theme and was co-timed with events that involve an aspect of Openness. These events also inspired the choice of the respective data sets. The best contributions would be determined by an international board of judges and receive cash prizes. The criteria for judgement were the following: Creativity, innovation (e.g. Is the approach/idea new and unique? Does it do something that hasn’t been done before? Does it provide new insights into the data? Does the hack provide a new/faster/clearer solution to the old...
In the arts and humanities, digital data production is still expensive, challenging and time-consuming. We all know this, and yet the results of these processes often in the end can’t be reused by other researchers, meaning that we reinvent (or redigitise) the wheel far too often. This resource is aimed at giving practical advice for arts and humanities scholars who are willing to take their first steps in research data management but don’t know where to begin. Our approach to data management views it as a reflective process that exposes and tweaks existing behaviours, rather than one that introduces specific tools. It is intended to encourage awareness of one’s own processes and mindfulness about how they could be more open and how and how small changes across three points in your research workflow can make big differences.